Veronica

Ceci

Meet Curtain

2019, Gilded objects, 30 x 39 x 19 in

$
1500
0

Veronica

Ceci

Eight Hours

2019, Ink and graphite on paper, 27 x 26 in

$
800
0

Veronica

Ceci

Clean Sweep

2020, Monoprint, 15 x 19 in

$
600
0

Veronica

Ceci

Meander

2018, Housepaint and blockprints on concrete wall, 4 x 180 x 1.5 ft

$
0

Veronica

Ceci

Dougherty Arts Center

Working Hard or Hardly Working

2017, Print, 36 x 24 in

$
800
Unframed
Veronica Ceci

About the Artist

Veronica Ceci is a Queer intermedia artist based in Austin, TX, where she has been working as a Master Printer since 2004. Ceci's current body of work, Keeping House reconfigures the viewers' relationship to the human element of institutional cleanliness by making undervalued labor conspicuous through intense materiality, repetition, iconography and lived performance.

Ceci's pieces have been included in exhibitions at the Cleveland Museum of Art, The Art Museum of Southeast Texas, and the International Print Center New York. Her work is held in many collections including the Library of Congress, Zuckerman Museum of Art, The Experimental Printmaking Institute, Manhattan Graphics Center and The Austin History Center. The artist received her BFA from the Milwaukee Institute of Art and Design, was certified at the Tamarind Institute of Lithography and completed her MFA at Kent State University. Ceci is the founder of the nonprofit organization, Flash Collective, which pays artists for their participation in community art making events and exhibitions.

Artist Statement

Veronica Ceci's work is an inquiry into tactile beauty and societal ugliness in the life of a queer femme working as a maid. The pieces reconfigure the viewers' relationship to the human element of institutional cleanliness. The artist manipulates tools used in the work of cleaning to remove their use value and transform them into objects worthy of careful consideration. Scale, intense materiality, repetition, and public acts are wielded in the face of indifference to an industry which is vital, yet remains largely invisible.

Cleaning, like art, uses tools and potions to change the perception of objects and surfaces. In reducing the presence of the implements of cleaning to golden shapes, drawn lines and rectangular abstractions, the essential elements of functional design are presented with new context. As the figure interacts with these manipulated objects the matter of gendered hierarchical relationships to physical labor is revealed. The exaggeration of curves, deep color saturation, and use of reflective materials moves these formerly invisible connections into the realm of hypervisible. Ceci's artworks intricately narrate the strength of an overlooked agent of change.

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