Kelsey Baker

Contracommon

Intermedia artist
(214) 883-4201ke1sey3aker@gmail.comkelseybakerart.com
Kelsey Baker

Kelsey

Baker

ContraCommon

Emerge

2020, Oil on canvas and found object, Dimensions variable

$
0

Kelsey

Baker

ContraCommon

Edge

2020, Oil on canvas, 80 x 36 in

$
1500

Kelsey

Baker

ContraCommon

Egress

2020, Oil on canvas with found objects, Dimensions variable

$
0

Kelsey

Baker

ContraCommon

Collapse

2018, Oil on canvas, 20 x 20 in

$
2200

Kelsey

Baker

ContraCommon

OBE

2020, Video installation, 48 x 64 x 6 in

$
0

Kelsey

Baker

ContraCommon

Shrink

2019, Oil on canvas, 26 x 36 in

$
1200
Studio Tour

A walkthrough of Kelsey Baker's studio (#7) at ContraCommon collective and gallery.

LIVE STREAMpre-recorded
Artist Talk

Brief artist talk by Kelsey Baker at ContraCommon

LIVE STREAMpre-recorded
Kelsey Baker - Studio Tour

A tour of Kelsey Baker's studio at Contracommon.

LIVE STREAMpre-recorded
Kelsey Baker - Artist Talk

A quick artist talk with Contracommon member, Kelsey Baker.

LIVE STREAMpre-recorded
Kelsey Baker

12700 Hill Country Blvd

Suite F-140

Kelsey Baker

About the Artist

Kelsey Baker (b. 1993) is an intermedia artist based in Austin, TX who received her MFA from Washington State University in 2020. She was the recipient of a King Creativity Fund Grant in 2015 and the Walter Milton Potter Prize in 2016. In 2019, she was awarded the John Ludwig Graduate Fellowship. Her work has been featured in group and solo exhibitions nationally, such as the Jordan Schnitzer Museum of Art, Pullman, WA; Craighead Green Gallery, Dallas, TX; Off the Cost, Portland, OR; The People's Gallery, Austin, TX; Terrain Gallery, Spokane, WA; and Gspot Gallery, Houston, TX.

Artist Statement

I am using intermedia practices--incorporating painting, video and installation--to invent surreal landscapes and evoke liminal spaces. I present the familiar as strange using distortions in placement and scale, allowing the viewer access to realms or states of being that might be otherwise inaccessible. Viewers are invited to experience the in-between spaces.

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My most recent body of work presents multiple thresholds that offer imaginary access to Void-like spaces, and bodily experiences of these spaces that are felt rather than lived. Like standing at the edge of a cliff and imagining, despite oneself, how the ordeal of actually falling might feel. Edge moments like these invite one to live out, mentally, the mortal possibilities presented by the situation. The paintings are not portals, as such, but invite the viewer to experience a thinning of the veil. Together, these works induce liminality, and enact a push and pull of seduction and repulsion that recalls the sensation of edge moments and draws the viewer's awareness to their experience of place and time.